Edgar Wright on Last Night in Soho and the darker side of the swinging 60s

Perhaps the best way to describe the experience of watching Edgar Wright’s Last Night in Soho is to say that it really does feel like spending a boozy evening in the titular London district.

That’s meant as a compliment, but also a warning. This is a film that wants you to feel intoxicated by its relentless energy, one that bludgeons you with neon and nostalgia until you find yourself stumbling out of the theater as if you’d spent the last two hours not in a red recliner, but a Carnaby Street nightclub.

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